Portrait Painting: Anna Nina - Oil on Linen

Like I mentioned in the last post, I've been doing portrait paintings on the weekend at the GCA. This one is Oil on Linen, about 21 hours (with the drawing and painting). I worked primarily with a flesh palette consisting of a Yellow String, Orange String, Red String and a Neutral String. I also use a full palette to get the highest chromatic colors when needed. Below is my transfer drawing and painting.
Todd



Comments

Post a Comment

Popular posts from this blog

Color Wheel/Color Theory

Image
Last year I was able to work on doing a color wheel with Carlos Madrid. Carlos studied color theory with Michael Aviano for a few years. He had me come to his studio and work with him once a week over a 3 month span. I started by creating a value scale, based off of the Munsell Color System. From there I worked to get the color as accurate as I could, and worked mixing the lightest colors to the darkest colors. The end result of my color wheel represents the highest chroma of each color. After working the highest chroma, I then went and created a value string of each color, using my value scale. In the end I have a very valuable color wheel that I use when painting still life's.
Read more

Step by Step: Still Life

Image
This past year I have been able to paint with a small group of professional artists in Maynard MA. While teaching, I wanted to take them through the step by step process that I had learned at The Water Street Atelier. Below is each step in this   process for doing a still life painting. The Drawing : this is the most essential part of the whole process. I use my drawing (done from life) to recreate the 3 dimensional world on my 2 dimensional paper. I'm mapping over the set up so many times that I become really familiar with the objects and the orientation of the light to the objects. Transfer to Canvas : In this step, I get a printout of my drawing to scale, and do a paint transfer to canvas. Essentially its rubbing paint on the back of paper and then applying the paper over the canvas. I use a ball point pen over the printout to push the paint onto the canvas. when my drawing is transferred and dry, I go back in and do a open grisaille. This is done usually in on
Read more

Small Series of drink paintings

Image
Here is a small series of drink paintings that I'm working on. They are all small 3-4 hour paintings on a 6 x 8 panel or canvas. If you're interested in any of these paintings they are available at Rehs Gallery in Midtown Manhattan. http://www.rehs.com Dirty Martini Mojito Electric Martini Bloody Mary
Read more